Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


A family portrait traditionally attributed to Maria Cosway catches Philip’s attention as a possible work by Sir Thomas Lawrence. Fiona traces the painting through generations of the sitter’s family, while its unusually well-preserved surface and brushwork are compared with accepted works by both artists. The investigation asks whether a long-established attribution has concealed a major Regency portrait.