Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


The team examines an eighteenth-century landscape that may be Thomas Gainsborough’s lost painting Wooded Landscape with Gipsies Round a Camp Fire. Old exhibition records, labels and auction numbers appear to support the attribution, while imaging reveals an earlier portrait hidden beneath the landscape. The case also threatens to overturn Philip’s previous identification of another painting as the missing Gainsborough.