Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.
Series 2
The team examines a Degas with uncertain provenance, three Turner paintings dismissed as fakes for decades, and a heavily altered portrait linked to Van Dyck. Restoration and scientific analysis play a major role in recovering the original identities of the works.
1. Degas and the Little Dancer
0.0Sep 16, 2012 · 58 minFiona Bruce and Philip Mould investigate Danseuse Bleue et Contrebasses, a small painting believed to be by Edgar Degas. Although its history appears to lead back to the artist’s studio, the work is absent from the accepted catalogue of Degas paintings. Provenance research and scientific testing are used to determine whether the owner possesses a modest imitation or a valuable lost work.
2. Turner: A Miscarriage of Justice?
0.0Sep 23, 2012 · 58 minThe team reopens the case of three landscapes—The Beacon Light, Off Margate and Margate Jetty—bequeathed to the National Museum of Wales as works by J. M. W. Turner. Dismissed as fakes during the 1950s, the paintings are subjected to fresh archival and technical investigation to establish whether a long-standing judgment deprived them of their true identity.
3. Van Dyck: What Lies Beneath
0.0Sep 30, 2012 · 58 minPhilip Mould places one of his own discoveries under investigation: a heavily altered portrait that he believes conceals an unfinished work by Sir Anthony van Dyck. Restoration requires the irreversible removal of later additions, while Fiona insists upon independent authentication. As the underlying image emerges, both Philip’s judgment and the painting’s potential importance are put to the test.