Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


Philip Mould places one of his own discoveries under investigation: a heavily altered portrait that he believes conceals an unfinished work by Sir Anthony van Dyck. Restoration requires the irreversible removal of later additions, while Fiona insists upon independent authentication. As the underlying image emerges, both Philip’s judgment and the painting’s potential importance are put to the test.