Frank D. Williams
1.1Camera

Frank D. Williams

Mar 20, 1893 - Nashville, Missouri, USA

Frank D. Williams (March 21, 1893 – October 15, 1961) was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot.

Frank D. Williams was born March 21, 1893, as Frank Douglas Williams, to James and Lucinda Williams in the small community of Nashville, Missouri.

In 1912, Williams became a cameraman at Keystone Studios. There, in 1914, he was the photographer for many of Charlie Chaplin's first-year pictures, including Kid Auto Races at Venice which was the first film released in which The Tramp appeared. Williams is credited as appearing in Kid Auto Races at Venice, playing a cameraman, but his appearance is in doubt. For a time he was chief cinematographer at Keystone, and a large number of the studio's 1914 films are credited to him as photographer. He defected to work for the short-lived Sterling Motion Pictures, but returned to Keystone when Sterling closed in 1915. He also worked a camera for Henry Lehrman's L-Ko Kompany, Reliance-Majestic Studios, and Bluebird Photoplays.

When Roscoe Arbuckle formed a new motion picture company, Comique, in 1917, he hired Williams to be his cameraman. At Comique, Williams also shot Buster Keaton's first film appearance, The Butcher Boy (1917). His tenure there was also short; he shot three films for Arbuckle (Butcher Boy, A Reckless Romeo, and The Rough House) before departing to start his own lab. His business did not get off the ground quickly, and he supplemented his income by continuing to work as a cameraman. He was director of photography at Sessue Hayakawa's Haworth Pictures Corporation and is credited with 15 pictures that came out of that studio between 1919 and 1921.

While he was working as a cameraman at various studios, Williams worked on his idea for a traveling matte in which the actions of actors would be combined with a filmed moving background. Available technology prevented him from achieving the effect he envisioned until he built a printer himself to his own specification. He filed for a patent in May 1916, and it was granted in July 1918. The process was first used in a motion picture in 1922's Wild Honey.

From Wikipedia, the free encyclopedia

Credits

Cast

Media
Movie1914Kid Auto Races at VeniceCameraman (uncredited)
Movie1914His Prehistoric PastCaveman (uncredited)

Crew

Media
Movie1914His New ProfessionDirector of PhotographyCamera
Movie1920The Devil's ClaimDirector of PhotographyCamera
Movie1933King KongSpecial Effects TechnicianCrew
Movie1914The Fatal MalletCinematographyCrew
Movie1914Caught in the RainCinematographyCrew
Movie1927Sunrise: A Song of Two HumansSpecial EffectsCrew
Movie1917A Reckless RomeoDirector of PhotographyCamera
Movie1914Getting AcquaintedDirector of PhotographyCamera
Movie1914His Prehistoric PastDirector of PhotographyCamera
Movie1914The Property ManDirector of PhotographyCamera
Movie1914Caught in a CabaretDirector of PhotographyCamera
Movie1921Where Lights Are LowDirector of PhotographyCamera
Movie1921The SwampDirector of PhotographyCamera
Movie1921Black RosesDirector of PhotographyCamera
Movie1914A Busy DayDirector of PhotographyCamera
Movie1914Kid Auto Races at VeniceDirector of PhotographyCamera
Movie1914Mabel's Strange PredicamentDirector of PhotographyCamera
Movie1914Making a LivingDirector of PhotographyCamera
Movie1916The FloorwalkerDirector of PhotographyCamera
Movie1914A Film JohnnieDirector of PhotographyCamera
Movie1914Between ShowersDirector of PhotographyCamera
Movie1919The Dragon PainterDirector of PhotographyCamera
Movie1916Hop - The Devil's BrewDirector of PhotographyCamera
Movie1917The Rough HouseDirector of PhotographyCamera
Movie1919The Tong ManDirector of PhotographyCamera
Movie1919The Man BeneathDirector of PhotographyCamera
Movie1916The VagabondDirector of PhotographyCamera
Movie1917The Butcher BoyDirector of PhotographyCamera
Movie1914Tango TanglesDirector of PhotographyCamera
Movie1914Tillie's Punctured RomanceDirector of PhotographyCamera
Movie1914RecreationDirector of PhotographyCamera
Movie1914His Favorite PastimeDirector of PhotographyCamera
Movie1914Her Friend the BanditCinematographyCrew
Movie1914Mabel's Busy DayCinematographyCrew
Movie1914Laughing GasCinematographyCrew
Movie1914The MasqueraderCinematographyCrew
Movie1914The Face on the Barroom FloorCinematographyCrew
Movie1914The New JanitorCinematographyCrew
Movie1914Those Love PangsCinematographyCrew
Movie1914Dough and DynamiteCinematographyCrew
Movie1914His Musical CareerCinematographyCrew
Movie1914Gentlemen of NerveCinematographyCrew
Movie1914His Trysting PlacesCinematographyCrew
Movie1914The KnockoutDirector of PhotographyCamera
Movie1914The RoundersDirector of PhotographyCamera
Movie1914Mabel's Married LifeDirector of PhotographyCamera
Movie1933The Invisible ManVisual Effects SupervisorVisual Effects
Movie1918Secret StringsCinematographyCrew
Movie1918Queen of the SeaDirector of PhotographyCamera