Jan 10, 1962 - Toronto, Ontario, Canada
Steve “Spaz” Williams is a pioneering visual effects artist and animator known for his groundbreaking work in computer-generated imagery (CGI). He played a key role in the development of iconic VFX in films like The Abyss (1989), Terminator 2: Judgment Day (1991), and Jurassic Park (1993), helping to redefine the use of digital animation in modern cinema.
Media | ||||
|---|---|---|---|---|
| Movie | 2022 | Jurassic Punk | Self | |
| Movie | 1995 | The Making of 'Jurassic Park' | Self | |
| Movie | 1991 | The Making of 'Terminator 2: Judgment Day' | Self | |
| Movie | 2006 | The Wild | Additional Voices (voice) | |
| Movie | 1997 | The Making of 'Spawn' | Self | |
| Movie | 2003 | No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects | ||
| Movie | 1994 | Masters of Illusion: The Wizards of Special Effects | Self | |
| TV Show | 2022 | LIGHT & MAGIC | Self - Computer Graphics | 2 |
Media | ||||
|---|---|---|---|---|
| Movie | 2006 | The Wild | Director | Directing |
| Movie | 1990 | The Hunt for Red October | CG Artist | Visual Effects |
| Movie | 1993 | Jurassic Park | CG Animator | Visual Effects |
| Movie | 1991 | Terminator 2: Judgment Day | Animation Supervisor | Visual Effects |
| Movie | 1997 | Spawn | Visual Effects Supervisor | Visual Effects |
| Movie | N/A | The Pink Panther | Animation Director | Visual Effects |
| Movie | 1989 | The Abyss | CG Artist | Visual Effects |
