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Pierre Zucca was a French film director and photographer known for his unique visual style and contributions to French cinema. He began his career as a photographer, capturing portraits of notable figures in the arts. Zucca transitioned to filmmaking in the 1970s, directing films such as Roberte (1979) and L'Œil qui ment (1992). His films often blended surrealism with narrative storytelling, creating a distinctive cinematic experience.
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| Movie | 1973 | Day for Night | Pierrot, the Still Photographer |
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| Movie | 1981 | Balthus | Director | Directing |
| Movie | 1979 | Roberte | Director | Directing |
| Movie | 1988 | Alouette, je te plumerai | Director | Directing |
| Movie | 1985 | Rouge-gorge | Director | Directing |
| Movie | 1985 | Rouge-gorge | Screenplay | Writing |
| Movie | 1976 | Vincent mit l'âne dans un pré (et s'en vint dans l'autre) | Director | Directing |
| Movie | 1970 | The Wild Child | Still Photographer | Camera |
| Movie | 1983 | Le secret de monsieur L | Director | Directing |
| Movie | 1969 | Les Gauloises bleues | Still Photographer | Camera |
| Movie | 1984 | Sous le signe du poisson | Director | Directing |
| Movie | 1968 | Birds in Peru | Set Photographer | Camera |
| Movie | 1971 | Les Jambes en l'air | Still Photographer | Camera |
| Movie | 1970 | Bed and Board | Still Photographer | Camera |
| Movie | 1967 | The Nun | Still Photographer | Camera |
| Movie | 1974 | Lacombe, Lucien | Still Photographer | Camera |
| Movie | 1967 | The Champagne Murders | Still Photographer | Camera |
| Movie | 1979 | Roberte | Adaptation | Writing |
| Movie | 1983 | Le secret de monsieur L | Writer | Writing |
| Movie | 1967 | The Road to Corinth | Still Photographer | Camera |
| Movie | 1989 | Front woman | Writer | Writing |
| Movie | 1973 | Day for Night | Still Photographer | Camera |
| TV Show | 1971 | Out 1 | Still Photographer | Camera |
