Jul 27, 1910 - Matias Romero, Oaxaca, Mexico
Guadalupe Natalia Tovar, known as Lupita Tovar (July 27, 1910, Matías Romero Avendaño, Mexico - November 12, 2016, Los Angeles, California, USA), was a Mexican-American actress. Among her most important works as an actress, her participation in the films stands out: "Dracula", which was the Hispanic version of the original film and "Santa", considered the first sound film in Mexico.
Media | ||||
|---|---|---|---|---|
| Movie | 1936 | Rose Hobart | Woman (archive footage) (uncredited) | |
| Movie | 1936 | The Invader | Lupita Melez | |
| Movie | 1939 | South of the Border | Dolores Mendoza | |
| Movie | 1931 | Carne de Cabaret | Drothy O'Neil | |
| Movie | 1996 | Vampires: Thirst for the Truth | Self | |
| Movie | 1929 | The Veiled Woman | Young Girl | |
| Movie | 1944 | Miguel Strogoff | Nadia Fedorova | |
| Movie | 1931 | East of Borneo | Neila | |
| Movie | 1932 | Santa | Santa | |
| Movie | 2006 | Hedy Lamarr: Secrets of a Hollywood Star | ||
| Movie | 1938 | Blockade | Palm Reader | |
| Movie | 1999 | The Road to 'Dracula' | Self | |
| Movie | 1936 | Marihuana El Monstruo Verde | ||
| Movie | 1931 | Yankee Don | Juanita | |
| Movie | 1931 | Border Law | Tonita | |
| Movie | 1929 | The Cock-Eyed World | Bit Part | |
| Movie | 1940 | Green Hell | Native Girl | |
| Movie | 1945 | The Crime Doctor's Courage | Dolores Bragga | |
| Movie | 1939 | Tropic Fury | Maria Scipio | |
| Movie | 1940 | The Westerner | Teresita (uncredited) | |
| Movie | 1944 | Gun to Gun | Dolores Diego | |
| Movie | 1941 | Two Gun Sheriff | Nita | |
| Movie | 1935 | Broken Lives | Marcela | |
| Movie | 1998 | Universal Horror | Self - Interviewee | |
| Movie | 2009 | Cinema's Exiles: From Hitler to Hollywood | Self - Interviewee | |
| Movie | 1939 | The Fighting Gringo | Anita del Campo | |
| Movie | 1931 | Drácula | Eva | |
| Movie | 1938 | María | ||
| Movie | 1929 | Joy Street | ||
| Movie | 2002 | The Bronze Screen: 100 Years of the Latino Image in American Cinema |
No crew credits available.
