| Movie | 1972 | One Thousand and One Trifles | Director | Directing |
| Movie | 1983 | Polska Kronika Non-Camerowa nr 6 1983 Wydanie B | Director | Directing |
| Movie | 1983 | Polska Kronika Non-Camerowa nr 6 1983 Wydanie B | Screenplay | Writing |
| Movie | 1983 | Polska Kronika Non-Camerowa nr 6 1983 Wydanie B | Animation | Visual Effects |
| Movie | 1986 | Light at the End of the Tunnel | Animation | Visual Effects |
| Movie | 1980 | A Highly Committed Film | Director | Directing |
| Movie | 1974 | A Few Practical Ways To Prolong One’s Life | Director | Directing |
| Movie | 1974 | A Few Practical Ways To Prolong One’s Life | Writer | Writing |
| Movie | 1974 | A Few Practical Ways To Prolong One’s Life | Director of Photography | Camera |
| Movie | 1972 | How a Sausage Dog Works | Director | Directing |
| Movie | 1972 | How a Sausage Dog Works | Writer | Writing |
| Movie | 1986 | Light at the End of the Tunnel | Director | Directing |
| Movie | 1986 | Light at the End of the Tunnel | Writer | Writing |
| Movie | 1969 | Nailed by Sex | Director | Directing |
| Movie | 1980 | Pan Tadeusz. Księga I. Gospodarstwo | Director | Directing |
| Movie | 1980 | Pan Tadeusz. Księga I. Gospodarstwo | Writer | Writing |
| Movie | 1980 | Pan Tadeusz. Księga I. Gospodarstwo | Music | Sound |
| Movie | N/A | Horror Film | Director | Directing |
| Movie | 1973 | ...Those wonderful bubbles in those pulsating lymphocytes | Director | Directing |
| Movie | 1967 | Phobia | Screenplay | Writing |
| Movie | 1972 | How a Sausage Dog Works | Music | Sound |
| Movie | 1980 | A Highly Committed Film | Music | Sound |
| Movie | 1973 | Polish Frights | Director | Directing |
| Movie | 1977 | Sun - A Film without a Camera | Director | Directing |
| Movie | 1981 | The Polish Non-Camera Newsreel no 1 | Director | Directing |
| Movie | 1981 | The Polish Non-Camera Newsreel no 1 | Writer | Writing |
| Movie | 1981 | The Polish Non-Camera Newsreel no 1 | Music | Sound |
| Movie | 1978 | People Wither Like Leaves... | Director | Directing |
| Movie | 1978 | People Wither Like Leaves... | Screenplay | Writing |
| Movie | 1978 | People Wither Like Leaves... | Music | Sound |
| Movie | 1970 | How Does It Happen, Agnisia Is Asking, That We Can See a Bear on the Screen | Director | Directing |
| Movie | 1986 | Animation Has No Borders | Animation | Visual Effects |
| Movie | 1978 | What Do We See After Closing Our Eyes and Stopping Our Ears? | Director | Directing |
| Movie | 1970 | How Did Books Leave the Forest | Director | Directing |
| Movie | 1975 | Film o sztuce... (biurowej) | Director | Directing |
| Movie | 1967 | Phobia | Director | Directing |
| Movie | 1978 | Dziadowski's Blues Non Camera, ie Legs Forward | Director | Directing |
| Movie | 1978 | Dziadowski's Blues Non Camera, ie Legs Forward | Writer | Writing |
| Movie | 1978 | Dziadowski's Blues Non Camera, ie Legs Forward | Music | Sound |
| Movie | N/A | The Extra Crew of Kizioll, M.Sc. | Director | Directing |
| Movie | 1969 | Nailed by Sex | Writer | Writing |
| Movie | 1969 | Nailed by Sex | Music | Sound |
| Movie | 1970 | How Does It Happen, Agnisia Is Asking, That We Can See a Bear on the Screen | Writer | Writing |
| Movie | 1970 | How Does It Happen, Agnisia Is Asking, That We Can See a Bear on the Screen | Music | Sound |
| Movie | 1970 | How Did Books Leave the Forest | Writer | Writing |
| Movie | 1970 | How Did Books Leave the Forest | Music | Sound |
