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"Beyond much single frame shooting, ICON, an early film, allowed for the use of cropped stencil letters as abstractions and the idea of bringing my painting sensibility and tools to film. Super 8, silent, experimental."
"Beyond much single frame shooting, ICON, an early film, allowed for the use of cropped stencil letters as abstractions and the idea of bringing my painting sensibility and tools to film. Super 8, silent, experimental."