Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


A sheep farmer who paid £50 for a small religious painting believes it may be a preparatory study by Benjamin West for his monumental The Last Supper, commissioned for George III. Scientific examination, restoration and comparison with West’s known materials help determine whether the modest purchase is the missing second sketch for the royal composition.