Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


The team examines Arab at Prayer, an Orientalist painting dated 1858 and signed by Jean-Léon Gérôme. Although once accepted as genuine, it was later downgraded to “Circle of Gérôme.” Provenance research, technical analysis and a fresh expert assessment are used to determine whether the work can regain its original attribution.