Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


A small watercolour from the Gurlitt art hoard is examined as a possible work by Henry Moore and as potentially Nazi-looted art. Infrared analysis, archival records and the history of Hildebrand Gurlitt are used to establish both authorship and an unbroken chain of ownership.