Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


The team investigates a painting of Willy Lott’s Cottage that Philip Mould had previously bought and sold twice without securing its acceptance as a work by John Constable. A detailed chain of ownership, stylistic examination and comparison with Constable’s established work may finally determine whether the overlooked landscape is an alternative view related to The Hay Wain.