Fake or Fortune?
Journalist Fiona Bruce teams up with art expert Philip Mould to investigate the provenance or attribution of notable artworks.


The team examines The Head of the Lake, a landscape signed by Jean-Baptiste-Camille Corot and purchased largely for its ornate frame. Historical exhibition labels, a period canvas-supplier stamp and technical analysis appear promising, but the investigation must also confront repeated earlier rejections and evidence recorded by one of Corot’s contemporaries.